australia

Stunning Dayana

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Can we just pause a moment and look at how beautiful this girl is?

I might have a new model crush haha. A while ago now, I did a test with Jimmy Ford, and his girlfriend Dayana came along too. She had only been signed to GTR a few days before, and this was to be her second shoot. As usual, I spent some time at H&M gathering garments for the shoot, but this time I decided to get a hair and makeup artist on board too, to add that extra polish to the images. Que my go-to MUA and super-bro Jyoti Chandra.

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I photographed Jimmy whilst Jyoti worked on Dayana’s makeup. Then we got shooting. Dayana was fantastic, especially for being inexperienced. She wasn’t stiff, and kept moving, experimenting with poses and expressions. We worked through the outfits really quickly, continuing to change garments and lighting.

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I will not be surprised if this face becomes world-famous one day. Dayana was really fun to work with, and I was overwhelmed with how many great frames I had to choose from. Good luck in your career Dayana!

Oh and don’t forget to check out some more of Jyoti’s work too. Clicky click.

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Dodging Puddles

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So much testing lately! But it keeps me on my toes so that’s a good thing. A few agencies have been keeping me busy with model portfolio updates, and I really enjoy working with different talent. I also love getting out on location to shoot- it gets me away from the studio and the computer for a while. Those who know me will also know that I hate looking at screens (yup, I’m in the wrong industry, I know!), but unfortunately there is so much back end and admin work when you freelance, that spending a long time in front of my computer is inevitable. So as I was saying, I embrace the opportunity to work with a model on location, especially if the natural light it working in my favour. Whilst I love my flash, sometimes I just want to streamline the process and not have to worry about positioning the light or deciding how I want to blend it with the ambient. It’s faster just to spin myself or my subject around, or find a great patch of golden sunlight to work with.

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For this reason, I have been getting back to using natural light when doing test shoots on location. Aside from being quicker, I also allows me to work solo and not have to worry about an assistant or bringing a huge pile of gear. It also keeps me reactive, as I have to find the best light around, no matter what the weather is doing.

Shooting with Chloe, recently signed with GTR, provided a lighting challenge for me. We had planned to shoot on a Sunday, as Chloe is still studying, but the weather wasn’t looking the driest.. Huge clouds hung in the sky, and it would occasionally pour with rain. Still, I met Chloe and her mum at the meeting spot and hoped that the rain would hold off.

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As you can probably see from the shots, the rain did subside, and the clouds acted as a huge softbox, which actually worked in our favour. I was really impressed with how Chloe moved, especially being so young. She didn’t need any warming up and just got straight into it. She seemed really aware of her body and the shapes she could make, and took direction well too.

I styled the shoot myself (something I have recently started doing, and that I am loving!) and I loved the colour palette of the garments I had chosen. I think they suited Chloe well too. The tough bit was not keeping everything, as some of the pieces were super cute (I’m looking at you blue and white shorts…)

When we were shooting our last shot, a friendly walker stopped to comment that “the model had arrived” (referring to himself.) I played along, asking him to get in the shot and pose, which he completely didn’t expect. I think he loved it though. Haha.

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Thanks Chloe for a fabulous shoot, looking forward to working with you again soon!

Chloe is represented by GTR.

 

Fresh Face: Sam Kieseker

 

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I always love working with new faces, especially when there isn’t an elaborate concept behind the shoot. I find that this really allows me to develop the expressions of the talent, and get them feeling more comfortable in front of the camera. Because there is no background or context, the model’s ability to emote and have something going on in their eyes is really important.

A few weeks ago, I had Sam come in to the studio for some new folio images. He had recently been signed with GTR, and was even off to Hong Kong the following week. Sam was a little nervous at first, but really enthusiastic and willing to try anything I threw at him. He took direction well, which I think is particularly important for new faces.

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As the shoot developed, Sam became more comfortable in front of the camera and relaxed a lot. This meant that I was able to capture a range of emotions, both light and serious, which added extra diversity to his book.

A quick venture outside the studio ended the shoot- I never tire of the textures and shades of the walls nearby the studio, but I think I’m going to have to come up with some new locations soon so that my folio doesn’t look too repetitive!

Thanks Sam for coming down to the studio, and best of luck in HK!

Sam is represented by Greg Tyshing.

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AusBiotech 2017

I had the pleasure of covering the awards ceremony at AusBiotech convention last year. This was held at the Melbourne Convention Centre, and I was lucky enough to sit in on a panel Q&A with some of the best international researchers and scientists.

Boy

I’ve really been enjoying testing with kids and teens, its a totally different way of shooting and that in itself is quite refreshing. Trying to get a natural expression from younger models can be easier (as their filters are lower), or harder (because of being shy) depending on the person.

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Recently, I had the opportunity to test with N. I only had half an hour or so, because N was on the way to a casting for a TVC. So I decided to photograph him in the studio, and then pop outside to play with the quickly fading winter light.

N is a champ, and really easy to photograph. Plus I learned a lot about Pokemon Go whilst I was shooting (and apparently there was a Pokemon on my camera!)

Thanks N for being a great model!

 

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Published In Solstice UK

Very excited to see my work published in issue 3 of Solstice magazine in the UK. This series is called ‘Colour Is Cure,’ and features some stunning Antidote activewear made by Aussie designer Lara Ulasowski.

PHOTOG || Me
MODEL || Peggy Ford @ Scene
HMUA || Jyoti Chandra
ASSIST || Bella Plush

If you want to hold my work in your hands, the MagCloud link for purchasing the issue is here