editorial

Published In Solstice UK

Very excited to see my work published in issue 3 of Solstice magazine in the UK. This series is called ‘Colour Is Cure,’ and features some stunning Antidote activewear made by Aussie designer Lara Ulasowski.

PHOTOG || Me
MODEL || Peggy Ford @ Scene
HMUA || Jyoti Chandra
ASSIST || Bella Plush

If you want to hold my work in your hands, the MagCloud link for purchasing the issue is here

Published In Elegant Magazine

Woohoo! My fashion editorial “No Strings Attached” was published in Elegant magazine. Well done team!

MODEL || Thea @ Scene
HMUA || Marlene Olsson
STYLIST || Kathryn Menze
ASSISTANT || Davey Diamandis

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Upper Volta

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Back in the studio last week shooting some new images for Upper Volta’s latest collection. After the success of the fashion show a few weeks ago, I teamed up with the ever talented Francis Kwamee to capture some stills of the garments.

We had a huge team of models, but the shoot ran really smoothly and quickly. Everyone was eating croissants and drinking coffee and having a great time. Kind of like a gathering except that we also happened to be shooting on the side- haha what a great chilled vibe!

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There are some gorgeous garments in this collection, and the team of models really brought them to life!

Some behind the scenes shenanigans. There’s me on the floor as per usual…

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Keep your eyes peeled for these images, they are going to be a great way to really launch UpperVolta’s new range.

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Marionettes and Students Visit

Oops, haven’t blogged in a while (yes, same excuse as always…) I have so much to share. If you’re a subscriber, prepare to be bombarded with new posts. If you’re not a follower… why not click that button?

Anyway, after the great wrist incident of 2015 (aka when I broke it on day 4 of a 2.5 month overseas trip) I had to stop working for a while. Photography does require a certain level of wrist and arm fitness, due to putting up and down equipment and holding cameras. I usually work 7 days a week (and love it) so after two days of resting I was going insane. I am more functional now, but still not 100% normal. But luckily able to shoot!

Last week, the final year students at Photography Studies College visited my studio. I used to be a student at PSC, and this studio visit has become a yearly occurrence. Basically, the students come to see me, a “professional photographer” (note: hahahaha) in my natural environment. To make it more interesting, I set up a lighting demonstration or little fashion shoot. This year, I decided to shoot a marionette and puppet inspired editorial shoot.

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I had an amazing team on board for this shoot, and was so excited that I came in the day before to set up the lighting. My model was Thea from Scene, I had Marlene Olsson doing hair and makeup, and my partner in crime Kat Menze styling both set and wardrobe.

We got in early, drank copious amounts of coffee, and knocked off two looks before the students even arrived. When they did, my team took a rest and I had to stand up in front of the beady-eyed students and talk about my career path. I tried to be funny- sometimes it worked. Then I let them all have a go with my medium format camera (most were too scared of breaking it to even look at it!) and we had a little q&a session. Then the students left, and it was back to work.

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I had told Marlene to get creative with the hair and makeup, and do whatever she wanted or felt like. She did not disappoint! Thea’s hair transformed to a ball of curls and ringlets about three times its normal size, and her face looked like a beautiful doll, with shiny gold rims around the eyes, and delicate gold ‘tears.’

Kat also blew me away with the set. We have wanted to incorporate set styling into our collaborations, but have never seemed to get around to it. What started with just a brown backdrop with the end of the roll showing developed into a simple ‘attic/workshop’ inspired space that could be moved around and changed easily. We pulled in some boxes and random bits of panelling form around the studio, and Kat decorated with stuffing, tulle, and other lengths of fabric. But the biggest innovation for me was using an old messy drop sheet as the base on the floor to cover the bright white cyc. It not only added texture and interest, but it saved me hours retouching. Thanks drop sheet.

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The shoot ran super quickly, with Kat matching outfits at lightning speed, and Thea just looking brilliant in every frame (sorting through and choosing even one to retouch has been both a nightmare and a dream because they all look amazing!) Davey (my assistant for the day) and I moved the lighting and set elements around to create different scenes for each look. I think this really helped to stop the series looking stale or repetitive.

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We wrapped at 3:30, in time for Thea to get to her classes at uni (she is not only beautiful, but very smart!) I wasn’t even tired, despite having been up since 6, because the shoot had gone so well. I couldn’t wait to retouch some shots, but there was a whole studio to pack down, as well as bags of Lincraft stuffing and fabric petals to sweep up.

Keep an eye out for these shots in print soon!!

TEAM
PHOTOG || Steph Doran
MODEL || Thea A @ Scene
HMUA || Marlene Olsson
STYLIST || Kat Menze
ASSISTANT || Davey Biasi