natural light

Ichiko | 衣知子

I can’t believe I haven’t blogged this yet! Here are some shots I took of Ichiko in Tokyo last year. Ichiko is signed with Folio Management in Azabujuban, and she was great fun to work with! We shot in the streets surrounding the agency office, exploring the different textures that Tokyo’s suburban landscape has to offer.

お昨年、私は衣知子さんの写真を撮りました。衣知子さんはフォリオ マネジメントのモデルです。写真撮影とても楽しかったです。会社の近くところに撮りました。私たちは日本語だけが話しました。ちょっとチャレンジでしたけど良かった。どうもありがとう衣知子さん!!

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We conducted the whole shoot in Japanese, and Ichiko was really easy to photograph. She didn’t need any warming up and was able to give off a range of expressions with ease. She also moved so well, creating great shaped with her body. I have to say I was really jealous of her hair- why can’t my hair grow that long!

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We shot for about an hour before returning to the warmth of the Folio office. I love shooting in Tokyo and never tire of the landscape. I just feel very inspired by what is around me- probably because it isn’t the same as Melbourne. The light in Japan is also different; there is just something about it that excites me visually. On the day that Ichiko and I worked together, it was overcast and kind of dull, but that didn’t stop us.

Thank you so much Ichiko for being an amazing model <3

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Ichiko is represented by Folio Management Tokyo

Yuki | ゆうき

東京の麻布十番でフォリオ マネジメントのゆうきさんの写真を撮りました。とても楽しかったです。私たちは日本語だけか話しました。私はちょっとへんな日本語を話しますからおもしろかった。10月から東京に住めます。それからもう一度ふぉりフォリオ マネジメントのモデルと会いたいです。^ー^

(english)↓

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Anyone who knows me knows that I frequently travel to Japan. I’ve only just started shooting there recently though. (Models and test shoots I mean- obviously I’ve taken my camera there to capture the country many times!)

In March I returned to Tokyo to do some testing with Folio Management models. I had done a few test shoots late last year, and when the agency heard that I was back in town, they asked if I could photograph a few of their girls. One of those faces was the beautiful Yuki. She arrived at the office with her little baby in tow, so the other office staff got to care for him whilst we went out shooting.

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The shoot didn’t take long at all, as I work pretty quickly in order to keep the pace and enthusiasm up. It was pretty chilly out in the streets if Azabujuban, but I felt fine as I had just spend two weeks up in the snowy northern part of the country. Compared to the -10C I had been in, Tokyo felt like summer. But I think Yuki was pleased to get her coat back on between shots.

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I didn’t speak English the whole time, which was pretty fun! My Japanese is mostly self-taught, so I speak a little bit strangely sometimes (well, I think so.) But I managed to communicate easily and even learned some new words (mostly how to describe facial expressions, which is obviously handy when working in portraiture!)

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Thanks Yuki and FOLIO for working with me in Tokyo. Looking forward to October when I will be back for more!

Yuki is represented by Folio Management Tokyo

The Worst Time Of Day To Take A Photo

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Sometimes spontaneity is best. I was talking with one of my best friends (who also happens to be my go-to talented makeup artist and stylist) Jyoti Chandra, and we decided we should do a random test shoot. We had no model, but Jyoti got in touch with a girl that she had worked with before, Jasmine, and we organised a spur of the moment shoot.

Because of everyone’s availabilities at short notice, we ended up planning the shoot for 11am in the middle of summer. Two things that we failed to consider; a) it’s darn hot at 11am, especially when the temperature was set to hit 30. And b) hard summer light isn’t the most flattering when it’s right above your head.

Time to problem solve!

After getting ready in Jyoti’s apartment, I brought the Profoto B2 kit on location with me to try to add some light into the deep shadows that the sun was giving us. Unfortunately, that particular kit isn’t powerful enough to overpower such strong sunlight. So I had to change tact. Instead, I worked with pockets of shade, keeping Jas a little more evenly-lit, and avoiding the horrible shadows that were otherwise forming under her eyes.

The shoot was over in about an hour, as Jas had to go to work. But as she was leaving, she put her glasses on and I knew I had to get a shot of her with them (because they were super cute glasses!) This ended up being my favourite shot of the day, I think because of the colour in the background, and the side light (which was just the apartment door being slightly open; so complicated!) Thanks team for a great shoot!

MODEL: Jasmine Geen
HMUA / STYLIST: Jyoti Chandra

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Grandparents On Film

Something a bit different today. Avid followers will know that I was born in Tasmania, and a lot of my family still lives there. I moved over to Melbourne when I was 4 or so, so I consider myself more of a Melbournian (“what do you mean this coffee isn’t small batch?!”) but I still try to make it back to the island every Christmas.

I’m lucky in that I still have three grandparents, and they are all fit and healthy. Especially in recent years, I have become more and more appreciative of the fact that they are still around, but also more aware that this won’t be the case forever. It’s not a nice thing to think about, and most of the time I don’t contemplate it, but sometimes it is important to remember that not everything is permanent.

But let’s not go there.

Last year I found a whole heap of black and white Ilford that I had rolled in high-school, so I decided to start shooting a few frames here and there every so often. I use a small Canon film camera, and I love it because it’s so tiny, but it also fits all of the lenses from my usual kit. I prefer, however, to use it with the cheapest plastic lens I have- a 50mm. This lens weighs next to nothing, and looks cheap and nasty, but there is something about it that I love- the shallow depth of field, the way it vignettes really badly… it’s the stuff dreams are made of haha.

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So I took this camera with me to Tasmania over Christmas last year, as I had shot some film in Tokyo and wanted to finish off the roll. I also wanted to take some portraits of my grandparents, because everything just looks great on film, and I thought they might be good for the ‘ol family albums.

Above are my paternal grandparents. These are straight out of camera, but I got the negatives scanned and put on a CD. No adjustments at all. I love the way that film looks so real. So much depth and tone, even with no processing. To me, it’s like looking at a small part of each person.

My grandma is known for her world-famous potatoes, and has kept every letter from every grandchild ever written (once I discovered this archive, I was a lot more careful what I wrote!). My grandad is a photographer (maybe that’s where I got it from?), and his framed prints of the many mountains he has climbed line the hallway in their house. Both of them will annihilate you at Scrabble.

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On my mother’s side, I have just one grandparent. Everyone calls him Popsie. I’m absolutely in love with this candid photo of him in the garden. Popsie grows the best vegetables, and I always look forward to eating them when I go back over there. He has a dog named Zeus, who will come up to you and put his foot on you. Whenever we stay with Popsie, mum always tries to buy him some new form of technology. He’s mastered the usage of cordless phones and the digital set-top box, but he narrowly escaped being set up with an Optus mobile phone plan this January.

Adventures in Shiba Park

After testing with some of the girls from Folio in Tokyo, I came back to the office to pack up and say goodbye. In the meantime, a young male model had dropped in and was chatting to the office staff. He explained that he was looking to do some testing, so I asked if he wanted to do a shoot the following day. He was thrilled, and so we organised to meet back at the office the next day.

Ty was such a friendly guy, and was in Tokyo to work. He usualy resides in Hawaii, so I had lots of questions to ask him about the differences in living in the two locations.

We decided to shoot in Shiba Park, which is near Tokyo Tower and not too far from the office. This time, it was just myself and Ty with no other staff. There were so many spots to shoot in- shrines, parks, streets- so we just walked around and every so often I asked Ty to stop in a patch of light, or lean against a random wall.

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Ty’s folio had a lot of smiling, youthful shots, so I wanted to capture some more serious faces and different expressions. He took direction really well, and was so easy to get along with. He was also very comfortable in front of the camera and moved well.

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We shot for only about an hour, but I got so many great shots, it was hard to choose which ones to retouch. Thanks Ty! Looking forward to shooting again next time I’m in Tokyo! :)

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And a couple of my shots made it onto Ty’s comp card…

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