photography

Winter Sun (Publication)

A test shoot that I captured last year has been published on Sticks & Stones online! Jonny Harris from GTR and I braved the winter cold to capture some images around the arts centre. I love playing with light and shadow, so this time of year is one of my favourite times to shoot. Jonny was amazing to work with, really relaxed but also open to trying anything. A lot of models feel awkward contorting their bodies into strange poses, or trying potentially unflattering expressions, but Jonny actually initiated the slightly ‘odd’ feel to the shoot.

Here are the images that made it into the online feature

And here are some more shots that didn’t make the cut…

(The first one is probably my favourite!)170630 Jonathon Harris 171 R170630 Jonathon Harris 106 R

170630 Jonathon Harris 003 R

Check out the full editorial in all its website-ey glory here: Sticks and Stones.

Johnny is represented by GTR Global.

I’ve Quit Photography To Become A Surgeon

IMG_4152

Everyone, I have an announcement! I’m proud to say that my hard work and rigorous study schedule have finally paid off, and I am now working through my placement as a Cardiac Electrophysiology Technician.

Although I wasn’t sure if I wanted to make the switch to medicine, I really do love helping people, and I think the challenges that this job will bring will make every week exciting and refreshing. Although I still really like photography, I think this is the right career move for me. Actually, my photographic background really proved helpful in the practical part of my assessment, as the role of a technician also involves medical photography (using different machines than your standard DSLR, of course.) So it hasn’t all been for nothing.

This is the team that I’ll be working the long shifts with…

Wait a minute….

What’s that Declan is holding….

IMG_4106

Lenses….??

Hold up….

IMG_4140

Haha fooled you all! I was actually working in a hospital alongside James Braund, shooting some scenarios and portraits. But I still got to kit out in scrubs (which are really comfy by the way!) I think the green hat suits me.

Had such a fun day with a great team. I can’t disclose details yet, but keep your eyes peeled for some fresh new photography at Homesglen. Final portrait is with James, sporting the latest in back support fashion. Will miss you when I’m in JP.

Shadow Play @ Testing Grounds

Melbourne’s winter light is one of my favourite things to experiment with when it comes to model test shoots. Having such short days, and having the sun at such a low position in the sky really allows you to play with light and shadow. There is also a kind of haze that falls upon the city, giving everything a glow that is hard to put into words. You also don’t have to wait as long for the golden hour.

The downside is, its heckin’ cold!

It’s been a while since I tested with a female model, so I was excited to shoot with Annabelle Curtain from GTR. I absolutely went to town on the styling, sourcing lots of shiny things, pinks, skirts, and metallics- things that just aren’t in the menswear ranges this season. I wanted to shoot at Testing Grounds in Southbank, because I walk past it on an almost daily basis, but had never stepped foot inside. I love the textures of the concrete in there, as well as the pink and mint colour palette. I knew there were also lots of interesting areas and different pockets of texture to work with.

It had rained the day before, so the ground was still wet. This also added some reflection to a few shots, which I really loved. I was so excited to shoot a few jackets that I got from Nana Judy- nothing is better in a photo shoot than an overdose of sequins. Nothing.

I think the garments went really well with the location, as I had a rough colour palette in mind when I was sourcing everything. Annabelle was great to work with too. She took direction well, and didn’t complain about the winter cold at all, despite having the beginnings of a cold. What a trooper.

Thanks for a fun shoot Belle! x

170609 Annabelle Curtain 014 R

170609 Annabelle Curtain 153 R

 

170609 Annabelle Curtain 181 R

170609 Annabelle Curtain 208 R

Human Canvas

170501 Chervil Tan 070 R

Something that often raises its head in my mind is the topic of personal insecurity. Not in the financial or physical sense, but more in the way of a mindset or mentality. Being a photographer, my work is a visual medium, and therefore every job has infinite possible resolutions and outcomes (rather than one ‘correct’ answer). That makes it highly subjective, and very open to interpretation. I think that many artists are a little insecure about their work deep down, and I am not a stranger to doubting my own abilities or artistic vision. So when someone approaches me with praise for my style, I get very very excited (if not a little “aww shucks” esque.)

One such kind soul was Alex Nixon, a student studying makeup. Alex had seen my work online and asked me to document one of her projects, which involved body painting. She sent me some references, and noted that she wanted to create a piece that was inspired by Chinese and Japanese traditional paintings. This was, of course, right up my alley, so I agreed straight away. We organised a date and time, as well as a gorgeous model – Chervil Tan from Vivien’s.

On shoot day, Alex pre-painted Chervil’s back before arriving at the studio. The references she sent me had been quite well-lit, with a pale grey background, so that is what I started off with. I wanted to ensure that I documented Alex’s work clearly, so that you could see the brushstrokes and fine details.

But after that, I wanted to have some fun of my own.

I thought that the concept and subject would really suit some darker, more moody lighting. So once we had the lighter shots captured, I changed the lighting to something more directional, to really accentuate texture and form. I love the way that the light falls on the body (in the image above), as the physical 3D nature of the back and shoulders blends with the painted landscape. I was also careful to keep the face in shadow, so that the emphasis was still on the painting, and the image had a sense of anonymity about it.

170501 Chervil Tan 123 R

Of course, I took some portraits as well, and some shots to show the makeup on Chervil’s face (not just her back!) How gorgeous is the kimono? Alex whipped it up herself the night before. So much skill! The colours were also really gorgeous, especially against the hues of the cheeks.

I wanted to capture a quiet, almost still mood for these images, and I think they came out well. Alex was absolutely stoked with the shots, which I was really pleased about. All the best with the folio Alex!

170501 Chervil Tan 116 R

Tokyo Film Scans

The feeling of picking up your developed film is so exciting, and has a certain air of nostalgia to it as well. I was really excited to pick up two rolls that I had shot in Tokyo last year, because I couldn’t remember what was on them.

D002759-R1-04-5_1D002759-R1-05-6_1

These frames are all from test shoots with models from Folio Management in Tokyo’s Minato ward. They were taken on 35mm film that I rolled myself back in highschool, but had not yet shot. Hence the little imperfections like dust, scratches, and leaks. I actually love these features and think they give extra character to the frames. Because the film was so old, I had no idea if it had been exposed, or if it would even look any good. These shots were digitally scanned, but no retouching or adjustments have been made. Not even exposure or contrast adjustments. They are completely raw.

D002759-R1-15-16_1D002759-R1-13-14_1D002759-R1-10-11_1D002759-R1-16-17

I find that there is something really ‘real’ about film photos. I tend to look at them for longer, rather than skim over them quickly as I might with digital photos. There seems to be a part of the subject’s soul in these frames, as if they are really looking at me. This might sound weird, but that’s how I feel. I think film also has a timeless sort of look to it.

When I was in Hokkaido earlier this year, I went one step further and purchased a disposable camera from the convenience store there. I’ve been shooting single frames on it, but still haven’t finished it. So I’m really interested in what is on that camera. The suspense is all part of the excitement. I also like the way that having such an “ammeter” camera removes a certain barrier when shooting. Nobody seems to notice or care if I put the $10 disposable to my eye, whereas they may change their behaviour or shy away if I raise my DSLR. Observing the difference in psychology is interesting.

D002759-R1-02-3_1D002759-R1-01-2_1