signed

Triangle

New editorial up! I absolutely loved working with this team to create these images in the parking lot of the studio (haha- location scouting at its best!) I used natural light for most of these images, but for some I erected my gigantic para umbrella, and used the Profoto kit on location. Thanks team for helping me hold it up against the wind!

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PHOTOGRAPHER: Steph Doran @stephdoranphotog
MODEL: Meika Woolard @meikawoollard
MODEL: Kye Wall @kye_wall
MODEL: Lorenzo Sandy @papi.grandee
HAIR / MAKEUP / STYLING: Jyoti Chandra @jyotichandra,
GARMENTS: Myer Melbourne @myer

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Winter Sun (Publication)

A test shoot that I captured last year has been published on Sticks & Stones online! Jonny Harris from GTR and I braved the winter cold to capture some images around the arts centre. I love playing with light and shadow, so this time of year is one of my favourite times to shoot. Jonny was amazing to work with, really relaxed but also open to trying anything. A lot of models feel awkward contorting their bodies into strange poses, or trying potentially unflattering expressions, but Jonny actually initiated the slightly ‘odd’ feel to the shoot.

Here are the images that made it into the online feature

And here are some more shots that didn’t make the cut…

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Check out the full editorial in all its website-ey glory here: Sticks and Stones.

Johnny is represented by GTR Global.

A ‘Couple’ Of Models…

… get it?

Pun totally intended.

Ok nobody is laughing, I’ll move right along shall I.

It’s not often that I photograph multiple people together, unless of course I’m shooting a wedding or an event. So working with two models in the studio together was really refreshing. One day a few months back now, I photographed both Jimmy and Dayana for their folios. Whilst they were there, we thought we would do a few shots with both of them in the frame. This is how they turned out…

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Fun fact: both of them prefer being camera right. Banter and face-blocking ensued…

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Incase you didn’t realise, these two are an actual couple. So funny to watch, and such a great energy on set. Here are a few more out-takes.

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Stunning Dayana

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Can we just pause a moment and look at how beautiful this girl is?

I might have a new model crush haha. A while ago now, I did a test with Jimmy Ford, and his girlfriend Dayana came along too. She had only been signed to GTR a few days before, and this was to be her second shoot. As usual, I spent some time at H&M gathering garments for the shoot, but this time I decided to get a hair and makeup artist on board too, to add that extra polish to the images. Que my go-to MUA and super-bro Jyoti Chandra.

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I photographed Jimmy whilst Jyoti worked on Dayana’s makeup. Then we got shooting. Dayana was fantastic, especially for being inexperienced. She wasn’t stiff, and kept moving, experimenting with poses and expressions. We worked through the outfits really quickly, continuing to change garments and lighting.

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I will not be surprised if this face becomes world-famous one day. Dayana was really fun to work with, and I was overwhelmed with how many great frames I had to choose from. Good luck in your career Dayana!

Oh and don’t forget to check out some more of Jyoti’s work too. Clicky click.

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Dodging Puddles

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So much testing lately! But it keeps me on my toes so that’s a good thing. A few agencies have been keeping me busy with model portfolio updates, and I really enjoy working with different talent. I also love getting out on location to shoot- it gets me away from the studio and the computer for a while. Those who know me will also know that I hate looking at screens (yup, I’m in the wrong industry, I know!), but unfortunately there is so much back end and admin work when you freelance, that spending a long time in front of my computer is inevitable. So as I was saying, I embrace the opportunity to work with a model on location, especially if the natural light it working in my favour. Whilst I love my flash, sometimes I just want to streamline the process and not have to worry about positioning the light or deciding how I want to blend it with the ambient. It’s faster just to spin myself or my subject around, or find a great patch of golden sunlight to work with.

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For this reason, I have been getting back to using natural light when doing test shoots on location. Aside from being quicker, I also allows me to work solo and not have to worry about an assistant or bringing a huge pile of gear. It also keeps me reactive, as I have to find the best light around, no matter what the weather is doing.

Shooting with Chloe, recently signed with GTR, provided a lighting challenge for me. We had planned to shoot on a Sunday, as Chloe is still studying, but the weather wasn’t looking the driest.. Huge clouds hung in the sky, and it would occasionally pour with rain. Still, I met Chloe and her mum at the meeting spot and hoped that the rain would hold off.

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As you can probably see from the shots, the rain did subside, and the clouds acted as a huge softbox, which actually worked in our favour. I was really impressed with how Chloe moved, especially being so young. She didn’t need any warming up and just got straight into it. She seemed really aware of her body and the shapes she could make, and took direction well too.

I styled the shoot myself (something I have recently started doing, and that I am loving!) and I loved the colour palette of the garments I had chosen. I think they suited Chloe well too. The tough bit was not keeping everything, as some of the pieces were super cute (I’m looking at you blue and white shorts…)

When we were shooting our last shot, a friendly walker stopped to comment that “the model had arrived” (referring to himself.) I played along, asking him to get in the shot and pose, which he completely didn’t expect. I think he loved it though. Haha.

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Thanks Chloe for a fabulous shoot, looking forward to working with you again soon!

Chloe is represented by GTR.

 

Fresh Face: Sam Kieseker

 

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I always love working with new faces, especially when there isn’t an elaborate concept behind the shoot. I find that this really allows me to develop the expressions of the talent, and get them feeling more comfortable in front of the camera. Because there is no background or context, the model’s ability to emote and have something going on in their eyes is really important.

A few weeks ago, I had Sam come in to the studio for some new folio images. He had recently been signed with GTR, and was even off to Hong Kong the following week. Sam was a little nervous at first, but really enthusiastic and willing to try anything I threw at him. He took direction well, which I think is particularly important for new faces.

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As the shoot developed, Sam became more comfortable in front of the camera and relaxed a lot. This meant that I was able to capture a range of emotions, both light and serious, which added extra diversity to his book.

A quick venture outside the studio ended the shoot- I never tire of the textures and shades of the walls nearby the studio, but I think I’m going to have to come up with some new locations soon so that my folio doesn’t look too repetitive!

Thanks Sam for coming down to the studio, and best of luck in HK!

Sam is represented by Greg Tyshing.

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Mini Road Trip With Jeremy

I’m really enjoying doing a lot more testing lately, especially on location. Here are a few snaps from a last minute shoot with Jeremy Anderson from GTR. I initially wanted to drive down to Werribee for this, but we only got as far as Altona before I wanted to stop and shoot. Sometimes I just like to drive around and jump out when a spot catches my eye.170127-jeremy-anderson-207-r

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I took the Profoto kit out with me, but I actually just ended up using completely natural light. When shooting tests without an assistnat, I find it faster, and this keeps the pace of the session nice and snappy.

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This shot of Jeremy under the bridge was my favourite of the shoot. I love capturing interesting pockets of light and this one was a great find! Thanks Jeremy for being a great model, and MYER for the clothing.