studio light

Eric Human

Yes, that is his real name.

I loved shooting this test with Eric in the studio, the idea was to use denim garments in different shades and colours, and really just focus on simplicity and expression. I kept the light quite consistent with a few variations, to ensure the images sat well together. Eric was brilliant, despite being quite new to the modelling scene. I’m excited to see where his career takes him.

Eric is represented by GTR Global

170821 Eric Human 131 R

170821 Eric Human 009 R

170821 Eric Human 034 R

170821 Eric Human 075 R

170821 Eric Human 155 R170821 Eric Human 149 R

Johnny x COOLS in the Studio

Testing with Johnny in the studio, with funky garments by Barney Cools. I love their simple designs (I am particularly in love with one jumper that I wish they made in a girl’s size!) Thanks Johnny for coming down to the studio to test!

170629 Jonathon Harris 079 R170629 Jonathon Harris 023 R170629 Jonathon Harris 092 R

170629 Jonathon Harris 005 R

Johnny is represented by GTR Global.
Garments by Barney Cools.

Human Canvas

170501 Chervil Tan 070 R

Something that often raises its head in my mind is the topic of personal insecurity. Not in the financial or physical sense, but more in the way of a mindset or mentality. Being a photographer, my work is a visual medium, and therefore every job has infinite possible resolutions and outcomes (rather than one ‘correct’ answer). That makes it highly subjective, and very open to interpretation. I think that many artists are a little insecure about their work deep down, and I am not a stranger to doubting my own abilities or artistic vision. So when someone approaches me with praise for my style, I get very very excited (if not a little “aww shucks” esque.)

One such kind soul was Alex Nixon, a student studying makeup. Alex had seen my work online and asked me to document one of her projects, which involved body painting. She sent me some references, and noted that she wanted to create a piece that was inspired by Chinese and Japanese traditional paintings. This was, of course, right up my alley, so I agreed straight away. We organised a date and time, as well as a gorgeous model – Chervil Tan from Vivien’s.

On shoot day, Alex pre-painted Chervil’s back before arriving at the studio. The references she sent me had been quite well-lit, with a pale grey background, so that is what I started off with. I wanted to ensure that I documented Alex’s work clearly, so that you could see the brushstrokes and fine details.

But after that, I wanted to have some fun of my own.

I thought that the concept and subject would really suit some darker, more moody lighting. So once we had the lighter shots captured, I changed the lighting to something more directional, to really accentuate texture and form. I love the way that the light falls on the body (in the image above), as the physical 3D nature of the back and shoulders blends with the painted landscape. I was also careful to keep the face in shadow, so that the emphasis was still on the painting, and the image had a sense of anonymity about it.

170501 Chervil Tan 123 R

Of course, I took some portraits as well, and some shots to show the makeup on Chervil’s face (not just her back!) How gorgeous is the kimono? Alex whipped it up herself the night before. So much skill! The colours were also really gorgeous, especially against the hues of the cheeks.

I wanted to capture a quiet, almost still mood for these images, and I think they came out well. Alex was absolutely stoked with the shots, which I was really pleased about. All the best with the folio Alex!

170501 Chervil Tan 116 R

A ‘Couple’ Of Models…

… get it?

Pun totally intended.

Ok nobody is laughing, I’ll move right along shall I.

It’s not often that I photograph multiple people together, unless of course I’m shooting a wedding or an event. So working with two models in the studio together was really refreshing. One day a few months back now, I photographed both Jimmy and Dayana for their folios. Whilst they were there, we thought we would do a few shots with both of them in the frame. This is how they turned out…

170201 Jimmy Dayana 055 R

Fun fact: both of them prefer being camera right. Banter and face-blocking ensued…

170201 Jimmy Dayana 001 R

Incase you didn’t realise, these two are an actual couple. So funny to watch, and such a great energy on set. Here are a few more out-takes.

170201 Jimmy Dayana 049 R

Stunning Dayana

170201 Dayana 218 R

Can we just pause a moment and look at how beautiful this girl is?

I might have a new model crush haha. A while ago now, I did a test with Jimmy Ford, and his girlfriend Dayana came along too. She had only been signed to GTR a few days before, and this was to be her second shoot. As usual, I spent some time at H&M gathering garments for the shoot, but this time I decided to get a hair and makeup artist on board too, to add that extra polish to the images. Que my go-to MUA and super-bro Jyoti Chandra.

170201 Dayana 101 R

I photographed Jimmy whilst Jyoti worked on Dayana’s makeup. Then we got shooting. Dayana was fantastic, especially for being inexperienced. She wasn’t stiff, and kept moving, experimenting with poses and expressions. We worked through the outfits really quickly, continuing to change garments and lighting.

170201 Dayana 203 R

I will not be surprised if this face becomes world-famous one day. Dayana was really fun to work with, and I was overwhelmed with how many great frames I had to choose from. Good luck in your career Dayana!

Oh and don’t forget to check out some more of Jyoti’s work too. Clicky click.

170201 Dayana 163 R