Eric Human

Yes, that is his real name.

I loved shooting this test with Eric in the studio, the idea was to use denim garments in different shades and colours, and really just focus on simplicity and expression. I kept the light quite consistent with a few variations, to ensure the images sat well together. Eric was brilliant, despite being quite new to the modelling scene. I’m excited to see where his career takes him.

Eric is represented by GTR Global

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Shadow Play @ Testing Grounds

Melbourne’s winter light is one of my favourite things to experiment with when it comes to model test shoots. Having such short days, and having the sun at such a low position in the sky really allows you to play with light and shadow. There is also a kind of haze that falls upon the city, giving everything a glow that is hard to put into words. You also don’t have to wait as long for the golden hour.

The downside is, its heckin’ cold!

It’s been a while since I tested with a female model, so I was excited to shoot with Annabelle Curtain from GTR. I absolutely went to town on the styling, sourcing lots of shiny things, pinks, skirts, and metallics- things that just aren’t in the menswear ranges this season. I wanted to shoot at Testing Grounds in Southbank, because I walk past it on an almost daily basis, but had never stepped foot inside. I love the textures of the concrete in there, as well as the pink and mint colour palette. I knew there were also lots of interesting areas and different pockets of texture to work with.

It had rained the day before, so the ground was still wet. This also added some reflection to a few shots, which I really loved. I was so excited to shoot a few jackets that I got from Nana Judy- nothing is better in a photo shoot than an overdose of sequins. Nothing.

I think the garments went really well with the location, as I had a rough colour palette in mind when I was sourcing everything. Annabelle was great to work with too. She took direction well, and didn’t complain about the winter cold at all, despite having the beginnings of a cold. What a trooper.

Thanks for a fun shoot Belle! x

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Dodging Puddles

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So much testing lately! But it keeps me on my toes so that’s a good thing. A few agencies have been keeping me busy with model portfolio updates, and I really enjoy working with different talent. I also love getting out on location to shoot- it gets me away from the studio and the computer for a while. Those who know me will also know that I hate looking at screens (yup, I’m in the wrong industry, I know!), but unfortunately there is so much back end and admin work when you freelance, that spending a long time in front of my computer is inevitable. So as I was saying, I embrace the opportunity to work with a model on location, especially if the natural light it working in my favour. Whilst I love my flash, sometimes I just want to streamline the process and not have to worry about positioning the light or deciding how I want to blend it with the ambient. It’s faster just to spin myself or my subject around, or find a great patch of golden sunlight to work with.

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For this reason, I have been getting back to using natural light when doing test shoots on location. Aside from being quicker, I also allows me to work solo and not have to worry about an assistant or bringing a huge pile of gear. It also keeps me reactive, as I have to find the best light around, no matter what the weather is doing.

Shooting with Chloe, recently signed with GTR, provided a lighting challenge for me. We had planned to shoot on a Sunday, as Chloe is still studying, but the weather wasn’t looking the driest.. Huge clouds hung in the sky, and it would occasionally pour with rain. Still, I met Chloe and her mum at the meeting spot and hoped that the rain would hold off.

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As you can probably see from the shots, the rain did subside, and the clouds acted as a huge softbox, which actually worked in our favour. I was really impressed with how Chloe moved, especially being so young. She didn’t need any warming up and just got straight into it. She seemed really aware of her body and the shapes she could make, and took direction well too.

I styled the shoot myself (something I have recently started doing, and that I am loving!) and I loved the colour palette of the garments I had chosen. I think they suited Chloe well too. The tough bit was not keeping everything, as some of the pieces were super cute (I’m looking at you blue and white shorts…)

When we were shooting our last shot, a friendly walker stopped to comment that “the model had arrived” (referring to himself.) I played along, asking him to get in the shot and pose, which he completely didn’t expect. I think he loved it though. Haha.

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Thanks Chloe for a fabulous shoot, looking forward to working with you again soon!

Chloe is represented by GTR.


New World Soul Fashion Shw

Photographing a fashion show is always an exciting time. Being backstage with the models and hair/makeup teams, feeling their excitement and nerves, you really get a buzz from being a part of it. In December, just as the weather started to warm up, I shot for Upper Volta’s latest fashion event, New World Soul. Having done their campaign photography, I was also given the honour of being the official photographer! That meant that I got to boss everyone around and elbow other photographers out of the way in the media pit (just joking!)


The event was held at Clifton Street Market in Prahran, which is an amazing warehouse space. It was the same location that we shot the campaign shots in. Look at my photo gracing the homepage of their website! ^_^


I arrived around 6pm, but the models and hair and makeup teams had already done a few hard hours. There were around 40 models, so to have everyone ready on time they had to start early. As soon as I entered the building I was stopped in my track, because my photos were printed HUGE on fabric, and were suspended from the mezzanine! One portrait was taller than me, and there were 8 of them! There was also a full lenght shot that would have easily been three metres high. I was thrilled, they looked brilliant! My shot was also on the little brochures for the afterparty- it looked great with the copy on it, and I was not-so-secretly chuffed.

I took a lot of backstage photos of everyone doing their thing- relaxing, getting their hair done, and eating the amazing food that was provided. A lot of the models recognised me from previous shoots, so it was nice to catch up and have a little chat. I even got to wear a KWAMEE t-shirt to feel like part of the crew.

Whilst there was still daylight, I tried to capture a raw portrait of each model. I didn’t quite get everyone because of all the commotion. I love the diversity of faces that Kwamee had chosen to walk the runway.

Finally it was nearing start time, and guests started to arrive. Champagne was served, lights were dimmed, and backstage we were hushed. It was really tricky to shoot the runway, because it was incredibly dark, there was no spotlight at the spot where the models were to stop, and it was totally backlit. Add a heavy smoke machine, and you’ve got a recipe for trouble. I prefer not to use flash in these types of events, because it can kill the mood and atmosphere of the shot. So I ended up using two cameras; one with a fast lens to capture the models as they were walking, and one with a slower lens, but with flash, to grab them as they posed on ‘the spot.’ I probably looked like a maniac switching between two cameras constantly, but luckily there was a table right next to me that I could rest one of them on when needed.

Needless to say, my arms were pretty buff afterwards.

At the end of the show, everyone cheered and I overheard lots of the audience complimenting the designs. Kwamee even made a little speech to thank everyone for coming. I know he’s a little shy so it was great to see the relief on his face when he felt that the event had gone well.

A few days later, my shots started appearing on the designer’s instagram page. There are many many shots, so please go and check some more out here.


New World Soul Campaign

One of my absolute favourite things to photograph is campaigns for designers. I love the creative nature of these type of shoots, and working with a team really brings a special energy to set. Upper Volta, by Francis Kwamee has been a client for a few years now, and I always get excited when the potential for a new collaboration arises. This particular campaign had two intented outcomes; to showcase some garments from the new collection, as well as create some bold images to advertise an upcoming fashion show.

The shoot was conducted in a fantastic warehouse in Prahran. The concrete floors and white brick walls provided an interesting yet unobtrusive background, and I brought in my profoto kit to enable me to utilize dramatic light. What was particularly exciting to me this time was the total creative freedom I had. Kwamee trusted me to shoot and light however I wanted, and busied himself co-ordinating the models and pinning garments. The models were really diverse, from all bakcgrounds. I thought this really helped convey the international feel of Kwamee’s new collection. After a few minutes setting up my kit and testing the light, I was ready to roll.

Here’s a shot from @cliftonstreetmarket of me doing my thing. Do you like my makeshift desk? The bright orange makes it completely OH&S compliant.


Jarreau of Lordtown Media was on the second camera capturing footage for some short promo videos. We worked really well together, ensuring that we each kept out of each other’s shots.

It was great working with such a diverse team of models, and everyone did a great job. Some of the models didn’t have much experience, but they were brilliant at taking direction, and adopting the ‘mood’ of the shoot. We flew through the large double rack of clothing, and everyone really kept the energy up, which made for a fluid, relaxed shoot. Thanks team!


The images were used for promotion on social media. Check out a couple with the copy overlaid! And don’t forget to have a look at Kwamee on instagram!


Upper Volta

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Back in the studio last week shooting some new images for Upper Volta’s latest collection. After the success of the fashion show a few weeks ago, I teamed up with the ever talented Francis Kwamee to capture some stills of the garments.

We had a huge team of models, but the shoot ran really smoothly and quickly. Everyone was eating croissants and drinking coffee and having a great time. Kind of like a gathering except that we also happened to be shooting on the side- haha what a great chilled vibe!

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There are some gorgeous garments in this collection, and the team of models really brought them to life!

Some behind the scenes shenanigans. There’s me on the floor as per usual…

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Keep your eyes peeled for these images, they are going to be a great way to really launch UpperVolta’s new range.

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What a productive day I had! I’m so tired, but I really want to share today’s pictures with you all before I curl up under my futon and sleep for 24 hours.

When I woke up today I had nothing planned, except to meet up with my Japanese sister Chihiro for dinner. Whilst I debated getting out of bed, I looked at my constantly growing list of galleries that I want to visit, and picked a few that were close to where we would have dinner. I also booked a flight home to Melbourne. For those of you wishing to join the fanfare and parade, I will be arriving home on April 11 at 4:30pm. I want streamers and confetti people!

I had planned to go to the Advertising Museum today, but when I was reading about some of the art galleries in Roppongi, I noticed a few had exhibitions that finished today. So in a split decision, I decided to spend the day in Roppongi.

I made a list of galleries to visit, and drew myself a dodgy map on the back of a Lawson’s receipt. Then off I went into the sunshine. It was actually warm today, so much so that I could walk around with my big coat unzipped!

My first stop was the Fujifilm Square gallery, which was showing the work of Japanese film photographer, Yoshio Watanabe. The series, titled The Beauty of Japan- Ise Jingu, depicted Ise shrine from different angles, in stunning black and white prints. The tones were incredible, and some of the compositions were beautiful. It was a very small exhibition, but worth seeing. Below are a few images from the internet, which don’t do the work justice.

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I also saw a group exhibition of Japenese landscape photography. These images were mounted on woodblocks, and some were absolutely massive. There was one in particular that depicted clouds and a lake that was about 3 metres long. It was mesmerising looking into it, and the sheer scale of the work was impressive. My top three artists from that collection were Matsuda Yoshio, Miyamoto Hiroshi, and Kurihara Hidenobu. Google them. (As is traditional in Japan, I have put the surnames of each artist first.)

There was also a mini museum about the history of Fuji Film and Fuji cameras, that had the biggest and most diverse collection of cameras I have ever seen. I think they had every camera ever made by Fuji. Some of the older film cameras were insanely big, and looked almost comical. I wondered how anyone could even hold them up to take a photo.

Next I headed into the Tokyo Midtown building, and wondered around inside for a while, hunting for excitement. I was’t sure which gallery to head into next, and I had seen an advertisement for an exhibition on one of the shop walls. The exhibition was called “Naturally I Expect A Lot From You,” by Hiroko Ichihara. I walked around for ages looking for the gallery that housed this exhibition, before realising that it was actually on the walls of the shopping mall! The exhibition consisted of a series of installations of giant sentences, which were applied directly onto the walls. They were huge, and very bold. I loved them! The exhibition spanned over 4 levels, and it was really interesting to watch people’s reactions to each one.




The above images read;

1) “As long as I have you, the world is heaven.”
2) “I could tell you the truth.”
3) “Let’s start over again. The two of us.”
4) “When it happens, it happens.”

Next to number four is a picture of bread from a bakery that smelt like heaven.

OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERANext, I headed outside, past the man-made ice-skating rink to 21_21 Design Site, which was housing an exhibition called Design Ah! This has been advertised everywhere, so I thought I’d better go and see it before they kicked me out of the country for being unpatriotic (or something.)

The ‘logo’ for the exhibition is the Japanese hiragana character, あ ( pronounced ‘ah,’ not ‘ahhh.’) This little guy featured heavily inside the building. The exhibition was a really hands on one, where guests were constantly invited to touch, play and investigate the artworks. Most things were interactive, and there were only a few ‘don’t touch’ signs around. Entry for one adult was ¥1000.



Upon entry, there was an interactive projection, which allowed you to control a large あ with your body. When you moved, the あ moved too, mimicking the body’s shape. It even morphed into two あs when two people entered the designated area.


Next was the most incredible sound and light display I have ever seen. A huge room with just a table in the centre was transformed by synchronised sound and light projections. It’s really hard to explain what happened, which is why I took a video of the place. I don’t know how to upload that, so you’ll have to wait until I work it out to see. But basically, all four walls became projection surfaces, and as  a colour or a shape or a number was being ‘sung’ about, spotlights highlighted the corresponding items on the table in the centre. For example, when the sound was singing about ‘blue,’ the walls showed giant pictures of blue things, and the blue things on the table (like the bucket and the world globe, for example) were lit up. I think the more I try to explain, the more confusing I become. I’ll get onto that video asap…


Other interactive parts were origami and furoshiki folding and sushi making (mostly for kids, as the sushi was made out of cute wooden blocks. A little girl made me some sushi to ‘eat.’) There was also ipad sketching and coin rubbing, as well as lots of deconstruction exhibits, which showed what books or sushi or an array of other items might look if they were deconstructed and arranged in a design-ey manner.


Above is a ‘demo’ of what packaging might look like in the future. The penguins on the packet moved around, like a little movie. They marched all over the place. Imagine that in the future! Then, for the photography buffs, there was a timelapse of the giant grass-covered あ, which changed daily as the plants grew (there’s a picture of this somewhere above.) Below is a reflection of me in the window. How very artistic and contemporary of me, ne?

OLYMPUS DIGITAL CAMERAI was quite hungry after all my exhibition interaction, so I grabbed a quick salad and onigiri from a Family Mart across the road. As I was heading back to the park to find a place to eat, a Japanese man approached me and started talking to me. He obviously wanted to practice his English, and it’s pretty common for Japanese people to latch onto foreigners for some free English conversational practice. He asked what I was doing today, and if he could sit with me while I had lunch. He seemed genuinely nice and not creepy, so I said ok. He was actually pretty interesting, and we talked about all kind of things- mostly differences between Australia and Japan. After I’d finished lunch, he asked if I wanted to go to Mos Burger to eat more. I was full already, but said I’d go with him if he was hungry. I didn’t want to be rude, and I didn’t know how to politely decline without being direct (because of the language barrier.) So we went to Mos Burger and the man ate his burger and chips. Then I said I had to go meet my friend for dinner (even though it was only 3pm), so we walked to the station. The man had no commitments, and was really keen to talk, so I couldn’t get away easily. Then he wanted to take me to a photographic bookstore nearby. I agreed, again not wanting to be blunt or impolite. So we ended up in this bookstore that was actually awesome. So much art and photography and design! I’d been having trouble finding books on those topics until today. Whilst I was browsing, the man said he had to go to the bathroom, but he’d be right back. I almost felt like ditching him, but he was genuinely nice and I felt too guilty. So we looked in the bookstore for a while, then I said I really had to go. I wanted to go to a few more galleries before dinner, but I wanted to go myself and see the works in my own time. I knew this would be hard to explain, and I didn’t want to hurt his feelings. So I said I’d walk to the next station and catch the subway from there. He insisted on walking me there, despite my multiple renditions of “oh no, its ok, I don’t want to trouble you.”

So we got to the station. Luckily, he kept walking as I pretended to go down the stairs. I was worried he’d also catch the subway, and even more worried it would be on the same line as mine, because then I’d have to go on the train. I thought about just going back to the surface, but I was paranoid he’d be waiting there to make sure I got on the train safely, so I walked around underground for a while and came up at another exit. I must have looked so dodgy, snooping around and continuously looking over my shoulder, on the lookout for a man in a beige coat. I’m pretty sure I saw him a little further up the street, but I don’t know if he saw me. Darn red coat makes me stand out.

So then I walked all the way back to the main are of Roppongi, and hunted for two small galleries that had exhibits. First I went to Taka Ishii Gallery of Photography and Film, which was closed for curation. But right across from that was Ota Fine Arts. I think the building was more impressive than the tiny exhibition. I spend a whole 3 minutes in there. I did like one piece, but I have no idea who the artist is or what the work is called, because there were no identification tags or brochures in the gallery. The work is below.

Next door from the Ota Fine Art gallery was the Wako Works of Art gallery, which was showing Reanimation by Joan Jonas. This consisted of some abstract paintings, huge projections, and this strange but mesmerising hanging crystal sculpture.

OLYMPUS DIGITAL CAMERA It was past 4:30 by the time I had finished looking in those small galleries, and I didn’t think I’d have time to visit the large group exhibition at the National Art Centre. But I thought it was the last day today, so I rushed over to see if I could still make it in time for the last admission.

When I got there, I found out that the exhibition I wanted to see ran until April, so I could come back another day and give myself enough time to see it properly. I did go into an incredibly large exhibition of recent graduate work from 5 art universities in Tokyo. There was some incredible works in there, and I didn’t get to see everything, so I will definitely go back and have another look when I have time. I had to do a rush job because I needed to get to Shiokanedai to meet Chihiro. I took a few snaps of some of the pieces I liked…

OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERAWhen I was leaving the building, the sun had began to set, and that beautiful golden light that photographers obsess over had begun to blanket the streets. I took the subway to meet Chihiro, then had to walk up a million steps to reach the correct e

OLYMPUS DIGITAL CAMERAChihiro was there with her American boyfriend and two Japanese friends, one who I had met before. They had a present for me! We walked along to a restaurant that was draped in tiny fairy lights, and Chihiro led us inside. It was an Italian bistro-style place, and would be the first non-Japanese meal I’d eaten since arriving in Japan. Chihiro ordered a salad for us to share and a starter, then we all ordered pasta or pizza as a main. I chose a chilli and tomato pasta, with ‘toppings’ of eggplant and spinach. The salad came first, and it was delicious. There’s something about the salad dressing in Japan that I love- I can’t find the taste anywhere else. It was a crab and avocado salad, and was so fresh.

The mains arrived soon after, and the waiter shaved parmesan cheese onto our meals. Mine was delicious. If pasta tasted like that in Australia, I would actually enjoy it. I don’t like pasta back home; I think it’s boring. But this was really good! I didn’t realize how hungry I was, because I ate the whole thing, and it was pretty big.

For dessert, we shared an apple pie and a marscapone cheesecake. It was so tasty! There was some raspberry sauce to go with it, which matched really well. And the cheesecake wasn’t too sweet and sickly, it was just perfect. Everyone was really funny, and we had a great time discussing Disney films, differences between American and Australian English, and other subjects that made everyone laugh.


Then we all headed back to the station and caught our various modes of transport home. I opened my present on the way home from Tabata, and it was a big bag of popcorn- caramel flavour and a flavour that I think is supposed to be cheese. I ate some of the caramel on the way home and it is way too good! So moreish. When I actually got home, I felt like cereal, so I ate that as I flicked through today’s photos. It’s 1:30am now, and I thought about going to bed earlier, but the people in the apartment above me are being really loud and banging the furniture around- I think they are re-arranging the whole room. They also have really loud voices, so I know getting to sleep is going to be a pain. But I’ve got the Hina Matsuri festival at Saiseikai tomorrow, so I’ll have to sleep sometime.