Red Lantern, Red Jacket

Working with Aussie model Shaun Ripper in the backstreets of Kyoto. Shaun is represented by GTR Global.

Dodging Puddles

So much testing lately! But it keeps me on my toes so that’s a good thing. A few agencies have been keeping me busy with model portfolio updates, and I really enjoy working with different talent. I also love getting out on location to shoot- it gets me away from the studio and the computer for a while. Those who know me will also know that I hate looking at screens (yup, I’m in the wrong industry, I know!), but unfortunately there is so much back end and admin work when you freelance, that spending a long time in front of my computer is inevitable. So as I was saying, I embrace the opportunity to work with a model on location, especially if the natural light it working in my favour. Whilst I love my flash, sometimes I just want to streamline the process and not have to worry about positioning the light or deciding how I want to blend it with the ambient. It’s faster just to spin myself or my subject around, or find a great patch of golden sunlight to work with.

For this reason, I have been getting back to using natural light when doing test shoots on location. Aside from being quicker, I also allows me to work solo and not have to worry about an assistant or bringing a huge pile of gear. It also keeps me reactive, as I have to find the best light around, no matter what the weather is doing.

Shooting with Chloe, recently signed with GTR, provided a lighting challenge for me. We had planned to shoot on a Sunday, as Chloe is still studying, but the weather wasn’t looking the driest.. Huge clouds hung in the sky, and it would occasionally pour with rain. Still, I met Chloe and her mum at the meeting spot and hoped that the rain would hold off.

As you can probably see from the shots, the rain did subside, and the clouds acted as a huge softbox, which actually worked in our favour. I was really impressed with how Chloe moved, especially being so young. She didn’t need any warming up and just got straight into it. She seemed really aware of her body and the shapes she could make, and took direction well too.

I styled the shoot myself (something I have recently started doing, and that I am loving!) and I loved the colour palette of the garments I had chosen. I think they suited Chloe well too. The tough bit was not keeping everything, as some of the pieces were super cute (I’m looking at you blue and white shorts…)

When we were shooting our last shot, a friendly walker stopped to comment that “the model had arrived” (referring to himself.) I played along, asking him to get in the shot and pose, which he completely didn’t expect. I think he loved it though. Haha.

Thanks Chloe for a fabulous shoot, looking forward to working with you again soon!

Chloe is represented by GTR.

 

Princess Temper

New work from an un-released fashion series!!

// Model: Casey Lee Lyons – @casey.lee.lyons
// HMUA: Jyoti Chandra – @jyotichandra
// Designer: Marnie Ayres

“Changes” Editorial

It seems like a long time ago that I worked on this collaboration with Marlene Olsson and Erin Tunn, but its finally allowed to be shown to the world. We photographed this collaborative piece around the time when David Bowie passed away, so there was a little bit of an influence in that respect. We also had no stylist on the day, as our scheduled stylist unfortunately fell ill. So the styling was all up to me, and therefore ended up featuring such designer garments as a vintage kimono (inside out), and a queen size bed sheet. Going to be all the rage next season, I hear.

Read about the shoot in an earlier blog post here.

TEAM
Photog: Steph Doran
HMUA: Marlene Olsson
Model: Erin @ GTR Global
Assistant: Josephine Tut

EPM Magazine Cover

Sooo excited to see some of my retouching work gracing the cover of Elite Property Management / Elite Agent Magazine. Featuring the fine folk at Melbourne Real Estate (MRE) South Yarra.

The photographer is James Braund. I assisted on this shoot, and also did the lighting and retouching. It was such a good day, especially capturing the group shot which contained over 30 people! Read about our efforts in James’ blog here. (You might even spot me in one of the behind the scenes photos!)

Below is the retouched group shot, which was not only inside the magazine, but is going to be printed on metal, at a gigantic scale!