photographer

Red Lantern, Red Jacket

Working with Aussie model Shaun Ripper in the backstreets of Kyoto. Shaun is represented by GTR Global.

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Testing with Mikio in Kyoto

It has been ages since I did a test shoot, as I’ve been busy moving countries! But I finally got the chance to do an un-structured, freestyle shoot with Mikio, a model that I met in Tokyo. He was in Kyoto for a trip, so we decided to meet up and do a test shoot for his book.

One thing that I really love about Japan is the light. Photographers, you will understand. The quality of the light here is beautiful, its much softer and hazier than Melbourne, which has a very hard, intense kind of light. I feel very inspired shooting in Japan.

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We shot these images at a university campus in Kyoto (I pretended to be an exchange student so that we could get free parking.) It was surprisingly diverse with many different textures and areas to explore, and a lot of the buildings were brand new, with gorgeous architecture. I really wanted this shoot to be about Mikio, and not about the location, which is why I opted for simple backgrounds. I also didn’t want it to be stereotypically ‘Japanese,’ which is why we didn’t shoot at a shrine or other similar structure.

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Japanese folios are so different from those in Melbourne. They really lean towards the smiley, happy, commercial look, whereas in Melbourne it is all about looking serious and slightly pissed off or bored. The contrast is really interesting. So I tried to include some more serious expressions in Mikio’s shots, so balance out his very ‘happy’ images. We got a few smiley ones in there too though, to keep his agent happy! Thanks Mikio for a great first shoot in Kyoto!

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Eric Human

Yes, that is his real name.

I loved shooting this test with Eric in the studio, the idea was to use denim garments in different shades and colours, and really just focus on simplicity and expression. I kept the light quite consistent with a few variations, to ensure the images sat well together. Eric was brilliant, despite being quite new to the modelling scene. I’m excited to see where his career takes him.

Eric is represented by GTR Global

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Triangle

New editorial up! I absolutely loved working with this team to create these images in the parking lot of the studio (haha- location scouting at its best!) I used natural light for most of these images, but for some I erected my gigantic para umbrella, and used the Profoto kit on location. Thanks team for helping me hold it up against the wind!

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PHOTOGRAPHER: Steph Doran @stephdoranphotog
MODEL: Meika Woolard @meikawoollard
MODEL: Kye Wall @kye_wall
MODEL: Lorenzo Sandy @papi.grandee
HAIR / MAKEUP / STYLING: Jyoti Chandra @jyotichandra,
GARMENTS: Myer Melbourne @myer

Johnny x COOLS in the Studio

Testing with Johnny in the studio, with funky garments by Barney Cools. I love their simple designs (I am particularly in love with one jumper that I wish they made in a girl’s size!) Thanks Johnny for coming down to the studio to test!

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Johnny is represented by GTR Global.
Garments by Barney Cools.

Shadow Play @ Testing Grounds

Melbourne’s winter light is one of my favourite things to experiment with when it comes to model test shoots. Having such short days, and having the sun at such a low position in the sky really allows you to play with light and shadow. There is also a kind of haze that falls upon the city, giving everything a glow that is hard to put into words. You also don’t have to wait as long for the golden hour.

The downside is, its heckin’ cold!

It’s been a while since I tested with a female model, so I was excited to shoot with Annabelle Curtain from GTR. I absolutely went to town on the styling, sourcing lots of shiny things, pinks, skirts, and metallics- things that just aren’t in the menswear ranges this season. I wanted to shoot at Testing Grounds in Southbank, because I walk past it on an almost daily basis, but had never stepped foot inside. I love the textures of the concrete in there, as well as the pink and mint colour palette. I knew there were also lots of interesting areas and different pockets of texture to work with.

It had rained the day before, so the ground was still wet. This also added some reflection to a few shots, which I really loved. I was so excited to shoot a few jackets that I got from Nana Judy- nothing is better in a photo shoot than an overdose of sequins. Nothing.

I think the garments went really well with the location, as I had a rough colour palette in mind when I was sourcing everything. Annabelle was great to work with too. She took direction well, and didn’t complain about the winter cold at all, despite having the beginnings of a cold. What a trooper.

Thanks for a fun shoot Belle! x

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Human Canvas

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Something that often raises its head in my mind is the topic of personal insecurity. Not in the financial or physical sense, but more in the way of a mindset or mentality. Being a photographer, my work is a visual medium, and therefore every job has infinite possible resolutions and outcomes (rather than one ‘correct’ answer). That makes it highly subjective, and very open to interpretation. I think that many artists are a little insecure about their work deep down, and I am not a stranger to doubting my own abilities or artistic vision. So when someone approaches me with praise for my style, I get very very excited (if not a little “aww shucks” esque.)

One such kind soul was Alex Nixon, a student studying makeup. Alex had seen my work online and asked me to document one of her projects, which involved body painting. She sent me some references, and noted that she wanted to create a piece that was inspired by Chinese and Japanese traditional paintings. This was, of course, right up my alley, so I agreed straight away. We organised a date and time, as well as a gorgeous model – Chervil Tan from Vivien’s.

On shoot day, Alex pre-painted Chervil’s back before arriving at the studio. The references she sent me had been quite well-lit, with a pale grey background, so that is what I started off with. I wanted to ensure that I documented Alex’s work clearly, so that you could see the brushstrokes and fine details.

But after that, I wanted to have some fun of my own.

I thought that the concept and subject would really suit some darker, more moody lighting. So once we had the lighter shots captured, I changed the lighting to something more directional, to really accentuate texture and form. I love the way that the light falls on the body (in the image above), as the physical 3D nature of the back and shoulders blends with the painted landscape. I was also careful to keep the face in shadow, so that the emphasis was still on the painting, and the image had a sense of anonymity about it.

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Of course, I took some portraits as well, and some shots to show the makeup on Chervil’s face (not just her back!) How gorgeous is the kimono? Alex whipped it up herself the night before. So much skill! The colours were also really gorgeous, especially against the hues of the cheeks.

I wanted to capture a quiet, almost still mood for these images, and I think they came out well. Alex was absolutely stoked with the shots, which I was really pleased about. All the best with the folio Alex!

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